I remember, in my early drumming days, seeing a video of Terry Bozzio surrounded by a myriad of drums and cymbals, playing all sorts of complex polyrhythms and unique combinations. I was impressed with his skill and the ability to simultaneously play 6/8 with half of his body and 5/4 with the other half! What struck me more, though, than the rhythms and more-than-competent dexterity, was actually the sounds and tones that the kit produced. That got my ears’ attention! I had never heard a kit produce so many different sounds. Continue reading »